Saturday, September 11, 2010

Breeding Ground

I was afraid I was going to hate this book, and I was right. Still, I have to say I hated it for unexpected reasons.

I have a horror of spiders, in fact I would say that I’m a certified arachnophobiac, so it was with no small amount of dread that I began reading this book. Still, I didn’t really fear the “widows” as initially depicted. It was only when our band of survivors reached the military compound and mention was made of the legions of spiders in the trees that I started to find the spiders at all menacing.

I found the description of the humans mutating into spiders way more horrifying than the spiders themselves. I think this was because the author devoted significantly more time to fleshing out the description of Dave, Katie and even Neil’s respective mutations than she did to depicting the spiders. I believe this was a good decision on the author’s part; it was far creepier to think of humans transforming into spiders from within. It literally made my skin crawl.

Now that I’ve addressed what I felt made this book scary and therefore effective, I have to repeat: I hated this book. I thought the way every female in the book was depicted was misogynistic and revealed the author’s apparent distaste for her own gender.

Let’s start with Chloe. I realize she gets fat and give birth to a widow but while I find her transformation repugnant, I found Matt’s reaction to it to be more so. He closes off from her emotionally almost from the get go. While I can’t stress enough how much I sympathize with what he experiences, I found his lack of grief at the death of his wife to be appalling.

Further, like many of my fellow students in this course have posted, I found Matt’s willingness to hop into bed with every female of age he encountered reprehensible. You’d think after seeing what happened to Chloe, he’d have been more gun shy in regard to the so-called fairer sex, but he starts eyeballing and flirting with Katie almost upon meeting her and Jane. Then, even after Katie’s transformation and subsequent suicide, this on the heels of his own wife’s demise, he sees fit to fall in love/lust with Rebecca and impregnates her. What’s even more bizarre is when he finds out Rebecca is pregnant, he is happy about it! This blew my mind. You’d have thought he’d have been more concerned she’d give birth to a spider, too.

Women aside, I didn’t find any of the male characters in this novel to be particularly sympathetic or engaging. Nigel was obviously a prick and got exactly what he deserved; of course, the author reminded us of this at every turn. Other than Nigel, none of the male characters were very memorable.

In conclusion, this novel made my skin crawl which I suppose is a bit of a testament to the author’s prowess as a horror novelist, but for the most part I had to force myself to finish it. The story didn’t initially draw me in and nothing in the text as I kept reading redeemed this book for me. I can say with no small amount of conviction that I would never reread this book or suggest it to a friend.

7 comments:

  1. I completely agree with you. This author really knows how to alienate her readers. The females hate all men and are bland, the men hate themselves.
    I also commented in my blog about how much bed hopping Matt does. It was way too ridiculous to be believable. If everyone I was ever with had a spider eat them from the insides out, I'd be reluctant to sleep with anyone.
    I will also not recommend this novel to anyone. The most ridiculous thing is that this is the first in a series. I didn't care enough about the characters to want to read the sequel.

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  2. Oh I forgot to mention Nigel. Could one character telegraph that he wanted to die more than he did?
    I knew he'd be dead before the end of the novel after his initial whining.

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  3. Well put, Carla. I couldn't agree more. I wondered if you had any sense of why the male/female relationships and reactions were so messed up in this book? I wondered whether it was a female writer's attempt to make her "hero" more macho. You know, that way some man-haters will say, "Oh, all they think about is sex." But in the end I couldn't believe it was deliberate. It was so strange, and so consistent, though, that it puzzled me.

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  4. I found her portrayal of the sexes interesting, but then I saw it as a critique of gender roles by showing what happens when some of those roles are flipped.

    Matt was a horndog, for sure, and it was disgusting. But I found it fascinating that he was interested in reinforcing dominance when he took Katie in the bathroom. Then he was only interested in Rebecca when he saw some of her dominance let up. He was desperate to reassert roles, even though he was able for most of the book to be a complete wuss (NOT an alpha hero, in other words).

    The reason I figured this was a critique was because of a few words that came into play: dominate was a big one during sex with Katie, and evolve was the other. Women evolved from the "weaker sex" into widows (and an interesting word chosen in terms of this gender critique) who were intent on taking over society. When the men finally evolved - Adam after Eve - they were smaller and seemingly less capable of wreaking havoc on society.

    Because Pinborough chose these particular words, I did think her handling of sex and gender was a lot more deliberate than I initially credited her for...and even somewhat feminist.

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  5. I agree with you Carla, that this book ended up feeling strangely misogynistic. I claim no understanding of gender studies, but I don't read this as a feminist work. At first, it seemed like it could be something along those lines, and when Katie early established herself as the group ass-whipper, I was interested to see what Pinborough was going to do. But in the end, the women all surrender to Matthew Edge (with no rhyme or reason), and the men get to generate their own, little, black spiders. I was particularly disappointed that Rebecca caved, and I found it annoying that Matthew Edge could only like her once he sees she wasn't really "that tough".

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  6. I absolutely agree about the bed hopping as well. I actually forced myself to keep any mention about it out of my own essay because I wasn't sure if it was just me. I guess it wasn't! The way Matt so readily jumps from woman to woman, not even mourning the loss of them, especially Chloe - he claimed he truly loved her, but he moved on too quickly for me. All of this made me dislike his character more and more the further I read. Perhaps he was supposed to reflect the drive of humankind still wanting to propagate and continue on even with the widows taking over? If so, it didn't work for me.

    -Lori

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  7. I agree with you that the most terrifying parts of the story has to do with how the humans are connected to the monsters, not the actual monsters themselves. The changes Chloe undergoes is terrifying, because her body and her unborn child have in part created this monster by contributing to its growth and birth. The transformation of the other characters after Chloe's death was also disturbing. But a giant, milky spider thing wiht two mouths? I guess it would sound scary, but I had so much difficulty picturing it in my mind.

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